Andrés Orozco-Estrada

Music Director

Roy and Lillie Cullen Chair

Andres Orozco Estrada

Houston Symphony Music Director Andrés Orozco-Estrada began his tenure in the 2014–15 season. He immediately established a dynamic presence on the podium and a deep bond with the musicians of the orchestra. Orozco-Estrada carefully curates his programs to feature engaging combinations of classical masterworks paired with the music of today, significant artistic collaborations with composers and guest artists, and innovative use of multimedia and visual effects, all in order to make meaningful connections with the audience.

In the 2017–18 season, Orozco-Estrada will continue to engage with audiences both with casual commentary from the stage and discussions with guests in “Behind the Scenes with Andrés” videos. On the recording front, Andrés and the Symphony released the third disc in their critically-acclaimed series featuring Dvořák’s last four symphonies; Andrés’ first commercial recording project with the orchestra. Andrés and the orchestra will soon release a Music of the Americas disc, featuring Gershwin’s An American in Paris, Revueltas’ Sensemayá, Piazzolla’s Tangazo and Bernstein’s Symphonic Dances from West Side Story, recorded in early 2017. Additional projects with PENTATONE include Haydn’s The Creation.

Born in Medellín, Colombia, Orozco-Estrada began his musical studies on the violin and started conducting at age 15. At 19, he entered the renowned Vienna Music Academy, where he studied with Uroš Lajovic (pupil of the legendary Hans Swarowsky), and completed his degree with distinction conducting the Vienna Radio Symphony Orchestra at the Musikverein. Orozco-Estrada burst on the international scene with two substitutions with the Vienna Philharmonic Orchestra: the first, his debut in 2010, standing in for Esa-Pekka Salonen, and then in 2012, substituting for Riccardo Muti at the Musikverein. Orozco-Estrada now regularly appears with many of the world’s leading orchestras, including the Vienna Philharmonic, the Santa Cecilia Orchestra in Rome, the Orchestre National de France, the Dresden Staatskapelle, the Leipzig Gewandhaus Orchestra and the Mahler Chamber Orchestra.

He recently debuted with the Philadelphia, Pittsburgh, Cleveland, San Francisco and Chicago Symphony as well as the Berlin Philharmonic Orchestra. Following a thrilling debut the previous year, summer 2016 marked his return to the Salzburg Festival with Nicolai’s opera Il Templario and – in place of Nikolaus Harnoncourt – Beethoven’s Ninth with the Concentus Musicus Wien.

In addition to his post in Houston, Orozco-Estrada is chief conductor of the Frankfurt Radio Symphony Orchestra and principal guest conductor of the London Philharmonic Orchestra. In 2016, Andrés and the Frankurt Symphony Radio released two recordings on Pentatone to great acclaim: Stravinsky’s The Rite of Spring and Richard Strauss’s Ein Heldenleben.

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