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Berlioz’ Symphonie fantastique
Thursday, October 25, 2012
Andrés Orozco-Estrada, conductor
William VerMeulen, horn
Berlioz: Roman Carnival
R. Strauss: Horn Concerto No. 1
Berlioz: Symphonie fantastique
One of the pillars of the symphonic repertoire, Symphonie fantastique brings you to a new world of sound, where images morph into music. Follow a young musician, afflicted by unrequited love and floodedwith romantic passion. As he drifts from one fantastic dreamscape to another, obsessed by the image of his beloved, you’ll follow him from the tumult of a grand ball, to the peaceful contemplation of nature, and finally to his plunge into delirium.
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Handel’s Messiah
Thursday, December 20, 2012, 8 pm
Matthew Halls, conductor
Houston Symphony Chorus
Charles Hausmann, director
Handel: Messiah
Behold the power of the music and words of Handel’s masterpiece. This Houston Symphony tradition will get you and your family in the true spirit of Christmas. Hear beloved solos and choruses, from “Rejoice Greatly” to the “Hallelujah Chorus.”
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Mozart’s Symphony No. 40
Thursday, May 2, 2013, 8 pm
Hans Graf, conductor
Eugene Ugorski, violin
Mozart: Symphony No. 19
Stravinsky: Violin Concerto
Adams: The Chairman Dances
Mozart: Symphony No. 40
Join us for Hans Graf’s final Sugar Land performance as the Houston Symphony Music Director. Maestro Graf is known internationally as an expert in conducting Mozart symphonies. Don’t miss your final opportunity to see him conduct the Houston Symphony in one of the most famous Mozart symphonies of all.
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| Remaining 2011-2012 Sugar Land Concerts
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Hilary Hahn Plus Enigma Variations
March 29, 2012

Alexander Shelley, conductor
Hilary Hahn, violin
Miles Hoffman, host
Prokofiev: Violin Concerto No. 1
Elgar: Enigma Variations
“Hahn is one of those rare performers who can dazzle you with the warmth of her personality and knock you dead with the dexterity of her technique...”
Please Note: NPR's Morning Edition music commentator Miles Hoffman will be your musical host for this concert, leading you through engaging commentary followed by a complete performance of each work on the program.
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